"When the lance bearers return
Rainy Novembers,
A learned dog, a huge dog
Is making mysterious sums.
He counts, he counts, he counts again,
All sorrows are called absence
All sorrows bearing lances."
-- Armen Lubin, 1946 (translated by Andrew Weller for Michel de M’Uzan, "Permanent Disquiet")
.....
FEED A PIGEON, BREED A RAT
Zach Phillips: all writing, recording, & instrumentation except additional credits below
Annie Loucka: narration, cover painting
Ryan Power: mixing, mastering
Robert Beatty: design
singers' additional credits:
Davin Givhan: lead/strum guitars, guitar solos (1)
Christopher Forgues: homemade electronics (3)
Tori Kudo: guitar solo (5)
Lindsay Dobbs: trombone (6)
Thom Gill: guitars thruout + guitar solo (7)
Von Lee: flute (8)
William Austin Clay: innocence stanza (9)
Paige Johnson-Brown: solo section guitars/keys (10)
Alice Cohen: organ solo (11)
Sam Wilkes: bass (12)
Maralie Armstrong-Rial: ambience (13)
Luke Csehak: horns (14)
Sarah Swillum: all keyboards/samples (15)
Ko Takasugi-Czernowin: all non-guitar/bass instruments (13, 18)
Danny Bissette: acoustic guitar (20)
Quentin Moore: all production, claims, impersonation (21)
Mark Gergis: Porest impersonation (21)
Raphaël Desmarets: guitar solos (22)
Jennifer Herrema: xaphoon solo (22)
"la Loi" #03. recorded March to August 2020 mostly on Tascam 388 mostly in East Thetford, Vermont. this is "My Revenge" Pt. II, following How to Slip Away (2017):
zachphillips.bandcamp.com/album/how-to-slip-away
.....
Robert Beatty
robertbeattyart.com
robertbeatty.bandcamp.com
Ryan Power
ryanpower.bandcamp.com
Davin Givhan
detangler.bandcamp.com
Genevieve Artadi
genevieveartadi.bandcamp.com
expensivemagnetsmusic.bandcamp.com
knowermusic.bandcamp.com
Christopher Forgues
333cf.org
channel69.bandcamp.com
Sarah Smith
blancheblancheblanche.bandcamp.com
Tori Kudo
torikudo.bandcamp.com
okrainarecords.bandcamp.com/album/je-est-un-autre
Lindsay Dobbs
starlaonline.bandcamp.com
Thom Gill
isthisthomas.bandcamp.com
bernice.bandcamp.com
Von Lee
godcaster.bandcamp.com
William Austin Clay
yalc123.bandcamp.com
williamaustinclay.bandcamp.com
Paige Johnson-Brown
irrevery.bandcamp.com
Alice Cohen
alicecohen.bandcamp.com
Sam Wilkes
samwilkes.bandcamp.com
samgendelsamwilkes.bandcamp.com
Maralie Armstrong-Rial
valise.bandcamp.com
humanbeast.bandcamp.com
maralie.com
Luke Csehak
thelentils.bandcamp.com
Sarah Swillum
jimjim.bandcamp.com
Caroline Bennett
www.carolinebeatricebennett.com
stice.bandcamp.com
Cleopatra Mathis
www.sarabandebooks.org/titles-20192039/after-the-body-poems-new-and-selected
Ko Takasugi-Czernowin
kot-c.bandcamp.com
Lina Tullgren
linatullgren.bandcamp.com
Danny Bissette
thecaseofthemissingrecords.bandcamp.com/album/the-lifeling
Mark Gergis
porest.bandcamp.com
Quentin Moore
bigfrench.bandcamp.com
Ma Clément
fievelisglauque.com
Raphaël Desmarets
www.discogs.com/artist/4320694-Rapha%C3%ABl-Desmarets
quentinstokart.bandcamp.com/album/mg
Jennifer Herrema
blackbananasband.bandcamp.com
royaltruxmusic.bandcamp.com
.....
“Be that as it may, this reference indicates why my own experience is not the same, my experience of what one can see, when one is young, on the beach, that is, where one cannot make a hole without water welling up in it. Well, to come out with it, this is an annoyance which also wells up in me faced with the crab’s sideways walk, ever ready to hide its intention to pinch your fingers. They’re very dexterous things, crabs. You can give one a pack to shuffle, which is nowhere near as hard as opening a mussel, something it does every day… well, even were there no more than two cards, it would still try to scramble them.”
-- Jacques Lacan, 1963 (Seminar X, “Anxiety," translated by A.R. Price)
released September 6, 2021